IN MY MIND

• First Flight

First Flight is Schaggan’s first piece — a quiet but powerful beginning. Centered on the image of a bird, the work captures the feeling of emergence: the first moment of courage, instinct, and motion before fully knowing where you will land. It reflects vulnerability, freedom, and the beauty of starting before you feel ready.

• Neighbor-Hood Nip

Neighborhood Nip is Schaggan’s tribute to Nipsey Hussle — a portrait of legacy, identity, and remembrance. Through layered color and symbols of Los Angeles, Crenshaw, and Slauson, the piece honors not just the man, but the movement he inspired. Rich with emotion and place-based meaning, Neighborhood Nip reflects the enduring bond between an icon and his neighborhood, capturing a presence that continues to live on far beyond loss.

• slumber

This piece captures the quiet tension between softness and surrender. With flowing forms set against a dark, open background, Schaggan turns the body into movement — intimate, abstract, and emotionally charged. The work feels suspended between rest and release, inviting the viewer to find beauty in stillness, vulnerability, and shape.

• poISON

This piece bursts with chaotic energy and layered storytelling. Set against a dense, collage-like background of repeating imagery, Schaggan brings the central figure to life through bold motion and expressive form. The work feels playful yet restless — blending street art, symbolism, and surreal movement to create a scene that feels both animated and dreamlike. It invites the viewer to explore the noise, color, and hidden narratives embedded within the chaos of his mind at the time.

• WILD THOUGHTS

This piece explores the quiet intensity that lives beneath the surface of thought. Emerging from darkness, the leopard becomes both guardian and reflection — a symbol of instinct, awareness, and inner power. In Schaggan’s “In My Mind” gallery, the image feels like a vision pulled directly from the subconscious, where strength, danger, and clarity coexist in the wild landscape of imagination.

• JUNGLE IN MY MIND

In Jungle in My Mind, Schaggan captures the raw intensity of instinct and imagination. The tiger bursts through layered jungle foliage, symbolizing the untamed thoughts, courage, and primal energy that live within the mind. Part chaos, part clarity, the piece reflects the idea that inside every mind exists a wild force waiting to be seen, heard, and unleashed.

• Nyasa

Nyasa, Schaggan plays with bold color, softness, and form to create a figure that feels both playful and powerful. The smooth curves and vibrant palette echo the sweetness and pop of bubble gum, while the confident pose celebrates body, identity, and imagination. Within the world of In My Mind, the piece represents self-expression without limits — where color, shape, and personality expand freely, just like a bubble about to burst

• RELAXED

In Relaxed, Schaggan captures a moment of quiet confidence and ease. The reclining figure unfolds across the canvas in bold, flowing shapes and vibrant color fields, turning the body into a landscape of movement and emotion. Set against a dark backdrop, the figure feels suspended in a private moment of calm — a pause where the mind and body exist freely without tension or expectation.Within the world of In My Mind, Relaxed reflects the beauty of surrendering to stillness, where comfort, identity, and imagination coexist in harmony.

• METAMORPH

In Metamorph, Schaggan explores transformation as both a physical and emotional journey. A woman’s portrait unfolds through bold, shifting colors that move across her face like stages of change, while butterflies hover nearby as timeless symbols of evolution and rebirth. The figure feels caught in the moment between who she was and who she is becoming.Within the world of In My Mind, Metamorph reflects the constant process of growth within the human spirit. Identity is not fixed—it sheds, adapts, and emerges again, much like the butterfly itself. The piece celebrates the beauty of becoming something new while still carrying the layers of what came before.

• LOVE KILLS

In Love Kills, Schaggan reflects on the hidden cost behind gestures of beauty and affection. A hand rises from the earth holding a rose, but the act of picking it draws blood — a quiet reminder that what we admire or claim as love can sometimes harm what we intend to cherish. Butterflies float around the scene, symbolizing life, transformation, and the fragile balance between admiration and destruction.Within the world of In My Mind, the piece carries a personal philosophy: true love nurtures life rather than taking it. Schaggan reminds us that while a cut flower may symbolize romance, its beauty is fleeting — and that giving something that can continue to grow may be the deeper expression of care.

• dragon

In Dragon, Schaggan explores the power that lives beneath the surface of the human mind. A figure emerges from shadow as a fiery dragon coils around the body — not as an enemy, but as a force intertwined with identity. The dragon represents strength, instinct, and the untamed energy that every person carries within.Within the world of In My Mind, the piece reflects the idea that our inner power can feel both protective and dangerous at once. The dragon is not something to defeat, but something to understand — a symbol of the fierce spirit that lives inside us all.

• lady of the flame

In Lady of the Flame, Schaggan transforms fire into a symbol of spirit, passion, and inner life. Rising from a single candle, the flame forms the silhouette of a woman — a figure born from light, warmth, and energy. Surrounded by textured rings that feel like echoes of thought, the image suggests the way inspiration and emotion ignite within the mind.Within the world of In My Mind, the piece reflects how a small spark can grow into something powerful. The flame becomes both creator and creation — a reminder that the mind, like fire, holds the power to illuminate, transform, and burn with endless imagination.

• New Territory

New Territory , Schaggan captures the quiet intensity of focus and presence. The leopard stares directly outward, calm yet powerful, embodying patience, awareness, and instinct. Rendered in stark black and white, the piece strips away distraction, allowing the viewer to confront the raw clarity of the animal’s gaze.Within the world of In My Mind, the leopard represents the part of the mind that is watchful and composed — the place where strength lives not in chaos, but in stillness.

• 2Pac in My Mind

In 2Pac in My Mind, Schaggan honors the enduring spirit of Tupac Shakur through vibrant color and expressive form. The portrait transforms the iconic artist into a mosaic of emotion, culture, and memory — reflecting the many layers of the man behind the legend. His smile stands at the center, symbolizing resilience, influence, and the lasting impact of his voice.Within the world of In My Mind, Tupac becomes more than a figure in history; he represents the thoughts, struggles, and inspiration that continue to live on in culture and consciousness long after his time.

• Breakfast

In Breakfast, Schaggan continues the playful tension between desire and consumption. A reclining red figure stretches across the canvas while a reaching hand lifts a slice of LIFE — a modern symbol of nourishment and indulgence. The scene blends humor, sensuality, and everyday ritual, transforming a simple meal into a moment of appetite and imagination.Within the world of In My Mind, Breakfast reflects how even the most ordinary acts—eating, craving, beginning the day—can become layered with emotion, temptation, and human connection. It invites the viewer to consider how desire often starts small, with the first bite.

• Dinner

In Dinner, Schaggan uses bold color and fluid form to explore the tension between desire and consumption. A reclining red figure stretches across the canvas, vibrant and seductive, while a reaching hand suggests hunger—whether physical, emotional, or psychological. The warm gradient of yellow and orange intensifies the scene, creating an atmosphere of heat, appetite, and temptation.Within the world of In My Mind, Dinner reflects on how people often become the objects of one another’s desire. The piece blurs the line between admiration and possession, inviting the viewer to question who is truly consuming—and who is being consumed.

• TWIN PEAKS

In Twin Peaks, Schaggan reduces the human form to its most essential lines, using monochrome tones and flowing contours to celebrate shape, balance, and symmetry. The composition turns the body into a landscape—soft curves rising like mountains against a quiet horizon.Within the world of In My Mind, the piece reflects the playful way the artist reimagines the familiar. What appears simple at first glance reveals deeper layers of form and perspective, inviting the viewer to see the human body as both terrain and abstraction.

• FLOWER CHILD

In Flower Child, Schaggan captures the quiet poetry of nature and imagination intertwined. A delicate blue blossom hangs gently from a winding vine, framed by drifting clouds and vibrant horizons. The composition feels suspended between sky and earth, where growth, freedom, and innocence coexist.Within the world of In My Mind, the flower becomes a symbol of purity and possibility—something small yet powerful, rooted in the earth while reaching toward the open sky. The piece reflects the spirit of a “flower child,” where nature, peace, and creativity grow freely without restraint.

• ROOTS IN MY MIND

In Roots in My Mind, Schaggan pays tribute to the spirit and influence of Bob Marley. The portrait is formed through layers of red, yellow, and green—colors that echo reggae culture, resistance, and unity. Marley's dreadlocks flow outward like roots, each strand carrying fragments of lyrics and song titles, symbolizing how his music spread across the world and into the minds of generations.Within the world of In My Mind, Marley becomes more than a musician; he represents a philosophy of freedom, love, and consciousness. The piece suggests that his message continues to grow like roots beneath the surface—quietly shaping culture, thought, and the soul of those who listen.

• INNER ARMOUR

In Inner Armor, Schaggan presents the body as both vessel and shield. Bold lines and radiant color move across the figure like energy, strength, and spirit made visible, while the raised fists suggest readiness, resilience, and self-possession. The work feels powerful without aggression — grounded in confidence, protection, and presence.Within the world of In My Mind, Inner Armor reflects the strength we carry beneath the surface. It is a portrait of power that is not borrowed from the outside, but built from within.

• THE ORIGIN

In Origin, Schaggan reduces form to its purest essence. Set against a deep black field, the central white shape feels both floral and anatomical — delicate, powerful, and symbolic of creation itself. The contrast between darkness and light gives the piece a quiet intensity, inviting reflection rather than explanation.Within the world of In My Mind, Origin speaks to beginnings — the place where life, thought, and identity first take shape. Minimal in form but rich in meaning, the piece suggests that even the simplest image can hold the deepest source of power.

• LIFE / DEATH

In Life / Death, Schaggan explores the fragile line between vitality and mortality. The figure is divided between sensual color and skeletal shadow, embodying beauty, desire, decay, and truth all at once. Set against contrasting fields of green and red, the body becomes a living symbol of duality — pleasure and pain, growth and ending, flesh and spirit.Within the world of In My Mind, Life / Death reflects the reality that both forces exist together, not separately. It is a reminder that to be alive is also to be temporary — and that this tension is part of what makes the body, and life itself, so powerful.

• NECTAR

In Nectar, Schaggan brings together sensuality, nature, and play in a lush garden of color and symbolism. Surrounded by blooming tulips, butterflies, and a hovering hummingbird, the body becomes part of the landscape itself — fertile, alive, and inviting. The piece feels joyful and intimate, celebrating the sweetness of attraction, softness, and natural beauty.Within the world of In My Mind, Nectar reflects the idea that desire and nature speak the same language. It is a portrait of attraction in bloom — where pleasure, life, and imagination are all drawn toward the same source.

• BLUE FLAME

In Blue Flame, Schaggan captures the body as both silhouette and energy. Rendered in cool blues, deep black, and soft gray, the figure feels powerful, sensual, and self-contained — like a quiet fire burning beneath the surface. The pose suggests confidence and introspection at once, turning the body into a living expression of mood and presence.Within the world of In My Mind, Blue Flame reflects the kind of power that does not need to shout. It glows from within — calm, controlled, and impossible to ignore.

• D.R.

In D.R., Schaggan transforms the body into a bold expression of identity, pride, and heritage. With warm curves set against the colors of the Dominican flag, the piece celebrates sensuality and culture as inseparable forms of self-expression. The small heart at the center becomes a quiet but powerful symbol of love for homeland, roots, and the spirit carried within the body.Within the world of In My Mind, D.R. reflects how nationality lives not only in memory, but in form, feeling, and presence. It is a tribute to pride worn unapologetically — intimate, vibrant, and full of life.

• SPREAD

In Spread, Schaggan leans fully into confidence, sensuality, and command. The figure opens across the canvas with unapologetic presence, turning the body into landscape, statement, and celebration all at once. Warm earth tones and golden rings give the piece a radiant energy, while the upward gaze adds playfulness, power, and self-awareness.Within the world of In My Mind, Spread is about taking up space without apology. It challenges shame, embraces the body as art, and reminds the viewer that boldness can be its own form of beauty.

• UNBOTHERED

In Unbothered, Schaggan pairs bold abstraction with attitude and ease. The figure turns back with a gaze that feels both playful and untouchable, while the body expands across the canvas in vibrant rings of color and confident form. Set against a textured dark backdrop, the piece balances softness with strength, intimacy with control.Within the world of In My Mind, Unbothered is a portrait of self-possession — a reminder that presence can be powerful, and that taking up space without apology is its own kind of freedom.

• VELVET PRESENCE

In Velvet Presence, Schaggan transforms the body into a flowing composition of softness, glamour, and command. Rendered in bold black and white against a rich purple ground, the figure feels both timeless and striking — her red lips and steady gaze anchoring the piece with confidence and allure.Within the world of In My Mind, Velvet Presence is a portrait of feminine power expressed through elegance, curve, and stillness. The piece invites the viewer to see beauty not as something delicate, but as something bold, expansive, and impossible to ignore.

• BETWEEN TEMPTATION

In Between Temptation, Schaggan places the viewer in a charged space between desire, curiosity, and control. Framed by bold fields of color and intimate form, the central face appears caught within the body itself — as if thought, longing, and identity are all peering through at once. The composition is playful and provocative, using contrast and closeness to turn the body into both setting and story.Within the world of In My Mind, Between Temptation reflects the tension between what is seen and what is imagined. It is a piece about allure, perspective, and the way desire often lives first in the mind.

• SWEET SURRENDER

In Sweet Surrender, Schaggan blends intimacy, sensuality, and softness into a single flowing composition. The body is reduced to elegant contour and suggestion, while delicate heart shapes and vivid accents introduce tenderness, playfulness, and desire. The piece feels both bold and gentle — unapologetically erotic, yet deeply human.Within the world of In My Mind, Sweet Surrender reflects the moment when vulnerability and pleasure meet. It is a meditation on desire not as performance, but as trust, offering, and emotional release.

• LOVE ON MY MIND

In Love on My Mind, Schaggan turns emotion into form, color, and symbol. The figure sits in shadowed violet tones while a radiant halo of lettering crowns the head, suggesting that love is not just felt — it is thought, carried, and lived through the body. At the center, a cracked heart glows like an exposed truth, holding both tenderness and pain.Within the world of In My Mind, Love on My Mind reflects the way love can consume the imagination — beautiful, heavy, healing, and haunting all at once. It is a portrait of vulnerability illuminated from within.

• COLOR THEORY

In Color Theory, Schaggan transforms the body into a bold study of energy, shape, and presence. Saturated bands of color ripple across the figure, turning curves into rhythm and movement. The pose is playful yet commanding, as if the body itself is testing how far color can carry emotion, attitude, and identity.Within the world of In My Mind, Color Theory reflects the idea that the body is never just physical — it is expressive, layered, and alive with feeling. The piece celebrates fullness, freedom, and the beauty of taking up space in every shade of oneself.